“It’s hard to glean trends from a year’s releases, because what’s released depends on the vagaries of production and distribution—the happenstance of which directors have movies in the works at a given moment, which movies premièring at festivals get acquired by a distributor for U.S. release. Some films that might have made it to my 2024 list (“On Becoming a Guinea Fowl,” “Eephus,” “Misericordia”) are now scheduled for 2025, and others (“Subtraction,” “Suburban Fury,” “Vas-Tu Renoncer?”) have no U.S. distribution. Still, the movies on the list do suggest a shared theme that has been latent in new releases for a while: the expansion of the art.”
May 21, 2025 |
SIFFtv
October 14, 2024 |
NYFF62
October 16, 2024 |
NYFF62
October 14, 2024 |
Fox News
October 7, 2024 |
Deadline
October 15, 2024 |
Script Magazine
October 13, 2024 |
Hyperallergic Article
The New Yorker
December 5, 2024
The New Yorker – Richard Brody Best of 2024 Mention

PRESS MENTIONS
October 10, 2024 |
Culture Mix Online
October 15, 2024 |
NY Times
October 16, 2024 |
Film Comment
August 6, 2024 |
FilmLinc
News
The New Yorker
December 5, 2024
The New Yorker – Richard Brody Best of 2024 Mention

“It’s hard to glean trends from a year’s releases, because what’s released depends on the vagaries of production and distribution—the happenstance of which directors have movies in the works at a given moment, which movies premièring at festivals get acquired by a distributor for U.S. release. Some films that might have made it to my 2024 list (“On Becoming a Guinea Fowl,” “Eephus,” “Misericordia”) are now scheduled for 2025, and others (“Subtraction,” “Suburban Fury,” “Vas-Tu Renoncer?”) have no U.S. distribution. Still, the movies on the list do suggest a shared theme that has been latent in new releases for a while: the expansion of the art.”
May 21, 2025 |
SIFFtv
October 14, 2024 |
NYFF62
October 16, 2024 |
NYFF62
October 14, 2024 |
Fox News
October 7, 2024 |
Deadline
October 15, 2024 |
Script Magazine
October 13, 2024 |
Hyperallergic Article